"I gather earth, minerals, plants, and grains from each place I live — transforming them into works that carry the memory of the land."
Earth Pigments — Geological Time
Earth Colors
Grinding stones, sifting soils, boiling roots. Raw pigments bound with Gum Arabic, Funori red algae, and rabbit skin glue — materials used for centuries, each carrying its own geography.
Natural pigment with red algae, encaustic, oil on canvas, 15×15cm
Algae and Dust (2025) — Natural pigments with Funori algae glue, 500×135cm, Paris
Red Earth (2025)
Colored Memories (2025)
Cast Glass — Frozen Time
Glass
Molten glass traps air bubbles — permanent archives of breath at the moment of making. Each cast piece becomes a time capsule.
Training: Berlin Glass, Berlin Flame Studio, UrbanGlass Brooklyn — 15+ courses (2022–2024)
Cast glass sculptures, 7×9.5×5cm each
Glass Sculptures of Rice and Corn (2026)
Glass Detail — Rice (2026)
Glass Detail — Corn (2026)
Blooming Seeds (2024)
Svalbard, Norway — 2025
The Path I
Oil sticks and Arctic earth on 70-meter thermo receipt paper roll, cast glass — installed on Arctic ice field. 7000×5.7cm for paper, 34×25×15cm for glass sculpture.
The parallel between geological ice — compressed over millennia — and handmade glass, frozen in seconds.
The Path I
The Path II
The Path III
The Path I, II, III — installed on Arctic ice fields and glaciers, Svalbard, 2025
Antarctic Ice in the Arctic
Oblisk I (2025)
Stillness in the Arctic I (2025)
Stillness in the Arctic II (2025)
Antarctic Ice I (2025)
Arctic Ice II (2025)
Bioplastics — Decaying Time
Decaying Forms
Sculptures from cornstarch, agar-agar, and gelatin — materials that decompose and transform. The studio becomes a kitchen. The resulting forms carry the textures and smells of their ingredients.
Cornstarch bioplastic with cornhusks and corn fiber, London
Constellation of Everyday (2024)
Fallen Leaf I (2024)
Singing and Dancing (2024)
Ordinary, Daring (2024)
Natural Dyes — Seasonal Time
Seasonal Colors
Working with master dyers in Oaxaca — cochineal, indigo, palo campeche, marigold on handmade cotton woven on backstrap looms. Colors that can only be harvested when the season allows.
Natural dye on handmade cotton fabric, 123×300cm
Palo Campeche Dreams (2026)
Naturally dyed cotton with logwood, eggshell pigment, encaustic
Recollections in Oaxaca (2025)
Palo Borracho Dreams (2025)
Making a Forest (2025)
Buenos Aires — 2025
Making a Forest
At Residencia Corazon in La Plata, Buenos Aires (2025), plane tree leaves, red earth from Misiones, silk floss tree flowers, and paper mâché became materials for site-specific installations. Two gallery spaces explored universal and local plant narratives.
Universal Plants — Gallery 1
Local Plants — Gallery 2
Local Plants Detail
Palo Borracho Dreams Detail
Imagined Trees Series
A Walk in La Plata I
Ecological Materials
Memories of
Corn and Rice
Naturally dyed corn husks, rice grains hand-sewn on linen, cast glass sculptures.
Salon ACME no.13 (2026) — Mexico City
How do staple grains store and transmit cultural memory? Corn in Mexico, rice in Korea — two grains that feed half the world. Through ritual dining, bioplastic sculpture making, and textile installation.
Installation — Open Ceiling View
Textile Installation Detail
Glass Sculptures, Natural Dye Canvas
Natural Dye Canvases and Bioplastic
View from Window
Wall of Bioplastic and Glass
Ritual Dining Table
Esquites Tomatillo Sesame Salad
Collaborative Bioplastic Making
Glass Installation Detail
Bioplastic Sculptures
Glass, Natural Dye Canvas, Bioplastic
Chemigrams, cyanotypes, Collodio-chloride prints on metal, cast glass, encaustic with malachite. KOIK Contemporary, Mexico City, 2026. Where all these material researches converge — photography, glass, pigment, and light as different registers of memory.
MNEMOSIS Installation View
MNEMOSIS Wall I
Wall II
Wall I Closeup
Wall I Closeup
Attempt to Empty My Mind — Video Installation
Memories and Forms I
A Mountain with Wings (2026)